This touching,
thought-provoking Iranian children's drama, from 1989 has a simple
story, but complex undertones as it is simultaneously a quiet plea for
peace and tolerance, an entertaining story and a sly, metaphorical
criticism of Moslem fundamentalist thinking. It also presents a view of
Iranian rural life seldom seen by Westerners. NTSC/Region 0. Original
Iranian dialogue with optional English & Chinese subtitles. 117
minutes. Panorama. 2003.
This touching,
thought-provoking Iranian children's drama has a simple story, but
complex undertones as it is simultaneously a quiet plea for peace and
tolerance, an entertaining story and a sly, metaphorical criticism of
Moslem fundamentalist thinking. It also presents a view of Iranian
rural life seldom seen by Westerners. Though the Iranian government
sponsored the film, they banned it for the above reasons. Bashu is a
10-year-old boy living in war-torn southern Iran. During an Iraqi
attack on his village his mother ends up burning to death when her veil
catches fire, and his father disappears through a hole that suddenly
appears beneath his prayer rug at home. Bashu witnesses the deaths and
is so terrified that he leaves his ravaged village and sneaks aboard a
northbound truck. Exhausted, he falls asleep and doesn't wake until the
truck stops briefly in a northern village. The boy is astounded by the
cool green of the place. Suddenly an explosion from a nearby
construction site rocks the ground. Thinking the place is being bombed,
the lad heads for the forest as the truck rushes off. Bashu wanders
about and ends up asleep in a lean-to beside a rice paddy that belongs
to a young mother, Nai, who raises her two kids alone while her husband
is off looking for employment. At first she tries to get him off her
property but then changes her mind and quietly (northern Iranians speak
a different language from their southern counterparts, but both share
the same writing system) begins to help him. She thinks the help is
only temporary and that his parents will soon arrive to get him. He
thinks she is adopting him. Bashu proves to be a good, helpful boy.
Unfortunately, the townsfolk dislike him because he looks and acts so
differently. Good Nai tries to protect him from their prejudice, but it
is difficult. Her husband compounds matters when, in a letter, he
insists that Bashu leave. Meanwhile the boy is beaten up by the local
children and at this point his future is uncertain. Fortunately, Nai's
husband returns and decides that Bashu does indeed have a place in
their little family.
http://www.allmusicimport.com/586939.html